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PRINT a PHOTOGRAPHY ZINE OF YOUR LATEST ROAD TRIP at Ex Why Zed

Posted on 20 May 2026

We enjoy Phoenix to San Antonio, the latest photography journal from the awesome @valeriej.bower and @melisduenas

203x152mm Zines
4pp Cover onto 240gsm Uncoated
Matt laminated to the outer
120 inside pages onto 100gsm Uncoated
Four colour print throughout
Trimmed, collated and perfect bound

We pick up the story as they photographically depict their trip from Arizona to Texas capturing all manner of one-off moments on film. Enjoy classic American cars, a healthy dose of signage and the coolest dressed dude you’ve ever seen, all bookended by poetry and creative writing.

We really like the choice of a 240gsm Uncoated cover. It creates a neat spine block and hinges that fall back to the text block easier than a more rigid 300gsm would. Yes, it’s thinner but the more of these snippets we do, the more we’re realising 240/250gsm is a better solution for zines and photobooks.

The 120 inside pages are printed onto 100gsm uncoated which again is slightly lighter than the standard weight which would be 115gsm. However, 100gsm is cheaper to print and each page features full bleed reportage photography documenting their trip across the States.

This is a winning print spec, we like it a lot.

Do check out the full print specs in the description below and get in contact with us to print your photographic, illustrated or literary zine, photo book or art journal. Found this useful? Do like this video and subscribe to our channel for lots more similar content to help you choose the winning options for your next publication.

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Photo books and portfolios that feel considered from the first page

A strong photography book starts long before it reaches print. It begins with knowing what the final piece needs to do: preserve memories, present a professional body of work, or turn a digital archive into something tactile and lasting. Our guides cover the full thought process, from understanding how long a photo book takes to print to choosing between a photobook and a photo album. They also explore how a photographer portfolio can be structured with clearer sequencing, stronger image selection and a more confident visual rhythm.

For artists and image-makers, presentation matters just as much as the photographs themselves. Our practical advice on how to photograph art for a portfolio shows how lighting, framing and file quality shape the finished result, especially when the work is destined for print. And for those with years of images sitting on social media, our guide to making a photobook from Instagram explains how to turn scattered posts into a more cohesive, keepsake-style publication. Together, these articles help readers plan a photo-led book with more confidence, better artwork and a clearer sense of what will work on paper.

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