If you can do these five things confidently, you can design a book that’s professional, consistent, and print-ready. Nothing fancy. Just the fundamentals done properly — which, honestly, is where most book files win or lose.
1️⃣ Create a New Document
2️⃣ Add Images
3️⃣ Add Text
4️⃣ Set-Up 3mm Bleed
5️⃣ Export your finished design as a print ready PDF
We’ve outlined each skill with clear, exact steps and screenshots to illustrate the process.
🤩 Don’t be intimidated by InDesign. It’s made for print layouts — books, magazines, brochures, the lot. It is paid software, but Adobe currently offers a 7-day free trial.
If you’d rather use something free (or already on your computer), you can build simple layouts in other tools. Try Affinity Publisher, Canva, Quark Express, Word, Publisher or Powerpoint (listed in order of efficiency). For proper multi-page book design, InDesign and Affinity Publisher are the smoothest options.
This is where you decide the physical reality of the book: trim size, page count, and whether you’re working as spreads or single pages.
Go to the File menu → New → Document

• Set Intent: Print

• Set your Width / Height to the trim size (the finished size after trimming).
• Set Pages to your total page count.
• Tick Facing Pages. This is a visually easier way to design a book so you can see double-page spreads.
• Set Bleed as 3mm (we’ll cover this properly in Skill 4).

Perfect Bound Books: If you’re printing a perfect bound book, we need one file for the cover spreads, and a second file for the inside pages: Set up perfect bound book artwork.
Page count reality check: If you’re designing a stapled booklet/zine, the page counts work in multiples of 4 (because of how sheets fold). Stapled is also known as saddle-stitched or wire stitched. Preparing artwork for stapled booklets.
InDesign is frame-based: you don’t “drop an image on the page” — you place an image into a frame. That’s what gives you control.
• Make a frame using the Rectangle Frame Tool (frame with an X), or

• Draw your frame. To do this, select the Rectangle Frame Tool, click on the page, then hold and drag to create a rectangle (or square) at the size you need.

• Next, use Cmd+D (Mac) / Ctrl+D (Windows) or File Menu> Place. Choose the image from your computer and it will appear in the frame.


• To move the image inside the frame:
Use the Direct Selection Tool (the white arrow) and drag the image content within the box until you are happy with its position.


Yes: you can draw a text box, type, select-all, choose a font… and it will “work”.
But for books, the real skill is getting consistent type across dozens (or hundreds) of pages without manually fiddling.
• Hit the T icon for the Type Tool.

• Click-and-drag to draw a text frame. To do this, click on the page, then hold and drag to create a text frame at the size you need.

• Type or paste your text into the frame.

• Use the Character and Paragraph controls (Found in the Type menu) to set font, size, leading (spacing between each line of text), alignment (left, right justified or centre).

Not sure what size to make your text? Generally 8-10pt is good for main body text. 16-32pt is large enough for headings and titles. (For children's book, choose 16pt for the main story).
If you text frame isn't big enough, you can click the black arrow tool and drag out the corner handles to make it bigger.

Bleed is an extra 3mm of artwork beyond the trim edge, so when our guillotine trims the printed sheets, you don’t get accidental white borders around the page edges.
If something should print to the edge, it must extend 3mm past the trim line on that edge. The trim line is generally indicated by the white artwork edge and inner pink line on your InDesign artwork. The outer magenta line shows the 3mm extra. (This will be visible if you have added '3 mm' into the bleed boxes during Step 1 when you created your new document).


Following this repositioning, you might need to make some small adjustments to the image within its box: these include changing the size of the image, or moving it over using the White Arrow tool.
The example below ISN'T Bleed. Notice the image stops at the trim line.

However, this example below shows a page with generous white borders, so you don't need bleed. The content stops well within the trim line so there is no need for bleed because no content will go right to the edge of the finished pages.
Lets repeat that again: If none of the content is intended to go to the edge of your finished book's pages, you don't need to worry about the extra 3mm because you'll have lovely white borders around your artwork.

For further guidance, here is Adobe’s own guide to creating a PDF with bleeds is a further handy reference.
This is the handover. The file can be beautifully designed — and still fail here if the export is wrong.
File → Export (or the keyboard shortcut Cmd+E)

Name your file, choose Adobe PDF (Print) as the Format, then click Save.

In the next box...choose Adobe PDF Preset: PDF/X-1a:2001
Further down the box, choose 'Pages'.

In the Marks and Bleeds tab (found by clicking it down the left):

What the finished PDF should look like. On the images below, notice the artwork goes past the crops marks on the correct example, but stops at the crop marks on the incorrect version>>>


If your artwork stops at the crop marks, to correct the problem, you need to amend one of two things (it is always one or the other of these):
➡️ Have you dragged the background image out 3mm beyond the trim line on your Indesign file into the bleed area? Try that then export again.
➡️ OR you have done the above, but then when you're exporting you need to click the Marks and Bleeds menu, then type '3mm' into the four bleed boxes. This will add the bleed to the pdf.
Before you export:
Any questions, do give us a shout, remember we are here to help on email, phone and live chat.
Further reading from our website.
These guides are on YouTube will also give you a deeper understanding (not from us, but they're great)>>>
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