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Vibrant Comic Book Printing for It Came From Beyond the Stars by Kevin McHugh

210mm x 210mm Books

4pp Cover onto 300gsm Silk

Matt lamination to outer

36pp Text onto 170gsm Silk (3mm Spine)

Four colour print throughout

Trimmed, collated and perfect bound

“Thanks, as always, for all your help.”

It Came From Beyond the Stars is a square, full-colour graphic story packed with UFOs, crop circles and a brilliantly odd little alien visitor. Created and self-published by Kevin Mc Hugh for Enniskillen Comic Fest, the book needed to look every bit as punchy as the artwork. We helped Kevin turn his finished files into a 210 x 210mm, matt-laminated, perfect bound book with rich, reliable colour from cover to final spread.

About the Book

This project sits somewhere between comic, picture book and sci-fi romp. Across 36 pages, Kevin’s characters race through country roads, scramble around barns and stare up at a looming spaceship beam. The square format gives each cinematic spread room to breathe, making the most of his panel-free, poster-style compositions.

The tone is playful rather than grim; our little green alien feels more curious than threatening. That balance of humour and drama is reinforced by the bold cover and the way each spread layers expressive characters over big, graphic skies, vehicles and farm buildings.

Print Specification & Materials

For a visual book like this, the stock has to let colour do the talking. We produced the cover on a sturdy 300gsm silk, wrapped in matt lamination so it feels smooth in the hand while standing up to the bustle of a comic convention table. Inside, 170gsm silk pages carry Kevin’s illustrations with a subtle sheen that keeps blacks deep and gradients smooth.

The 210 x 210mm square size is a favourite for comics and illustrated books because it sits neatly between standard comic format and children’s picture books – compact to carry, but generous on image area. A 3mm square spine and perfect binding give the book a professional, bookshop-ready profile on the shelf.

Design Details That Make It Sing

The first thing that hits you is the cover: that deep cosmic purple sky cut through by an acid-green tractor beam and lime title type. It nods to classic comic book villains – think Joker and Hulk – and instantly signals tongue-in-cheek sci-fi. The masthead lettering is a standout piece of typography, chunky and distressed, with just enough wobble to feel hand-drawn.

Inside, every spread is saturated with colour and motion. Long, full-bleed illustrations stretch right across the gutter, while the text sits in clean blocks that never fight the artwork. The typeface feels comic-adjacent – expressive, but easy to read – so the rhyming narrative flows while the illustrations carry the drama. From the eerie nighttime abductions to glowing six-legged sheep and mid-air tractor antics, each page halts the reader for a moment to take in the detail.

The Comic Book Print Journey

Kevin first contacted our team with a very clear goal: have a fresh run of It Came From Beyond the Stars ready in time for Enniskillen Comic Fest. He supplied a precise spec and asked for pricing on 200, 300 and 400 copies, plus one all-important detail – the exact spine width.

We confirmed the 3mm spine, shared quotes for the three quantities and mapped out a realistic schedule: five working days for print and two for UK delivery. With that reassurance, Kevin went ahead with 300 copies and sent through his final files. We issued a clear invoice, set up an online payment option and, before going anywhere near press, supplied a full digital proof for Kevin to check and approve in his own time.

Once the proof was signed off and payment confirmed, the job moved straight into production. Regular communication kept everything transparent, and Kevin’s final note – thanking us “as always” for our help – hints at an ongoing relationship rather than a one-off job.

How Ex Why Zed Helped

Our role here was to turn finished artwork into a convention-ready book with no surprises along the way. We:

  • Checked the spec and advised on a 3mm spine to match the 36pp text block and chosen stocks.
  • Recommended silk stock and matt lamination to balance vibrancy, durability and budget – ideal for full-colour comics that will be thumbed all weekend at a festival table.
  • Provided a simple, transparent quote for three quantities, so Kevin could judge print run versus cost.
  • Supplied an online proofing system, with guidance on how to view trim lines, page boxes and spreads correctly, so Kevin could sign off with confidence.

Behind the scenes, our production team ensured consistent four-colour reproduction across those rich purples and greens, and that every page lined up cleanly at the trim for a crisp square finish.

Takeaways for Your Next Comic or Graphic Novel Project

  • Think square for impact. 210 x 210mm is a brilliant halfway house between traditional floppies and picture books, giving your art generous breathing room.
  • Match stock to artwork. Silk paper keeps colours punchy and gradients smooth – ideal for digital illustration and sci-fi palettes.
  • Give your title a personality. A strong masthead treatment can become the face of your series at conventions and online.
  • Plan your spine early. Knowing the exact spine width helps you design a wraparound cover that fits perfectly once it’s bound.
  • Schedule backwards from your event. Allow time for proofs, approvals and shipping, especially if you’re launching at a festival.
  • Use digital proofs properly. View them on a desktop with trim and bleed guides switched on so you’re checking what will actually print.
  • Lean on your printer. If you’re unsure about stocks, binding or spine, ask – a quick email can save costly reprints later.

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